The artist discusses life, death and getting her knuckles rapped by the police in her homeland, Germany...
What attracted you to working with dead animals?
My interest in using animals began in 1990. I was thinking about what we eat whilst I was preparing some fish. They are like garbage. They can’t eat or sleep or whatever. Then I started with chicken, because they look a little bit human-like. I started using them because of the nature of making and fixing, but also to create another material from the animals too. Of course, you could create them for a practical purpose, but for me it’s an artwork.