0 The "SUPER FLEMISH" SERIES By Sacha Goldberger

What if Superman was born in the sixteenth century?
And what if the Hulk was a Duke?
How might Van Eyck have portrayed Snow White?

All images ©Sacha Goldberger

This art project took Sacha Goldberger 2 years (and with the aid of 110 people - including look-alike models and costume makers), to create, and the results are magnificent! The costumes are incredibly detailed and vibrant, and seeing Iron man or even Superman adorn in 17th century 'dresses', perplexes the mind in the most interesting yet positive of ways. Wolverine doesn't look as threatening anymore...

1 COLOURFUL BOEING 737 FOR TEAM BRAZIL'S 2014 FIFA WORLD CUP TRAVEL

You won't miss this colourful big bird in the sky that's for sure! Vibrant colours, from nose to tail and even the engine are painted on this 737 Boeing plane by Brazilian artist twins, Osgemeos. The pictures fittingly represents the colourful people of the Brazilian culture and are depicted in the twin artists' styles with elongated faces, quirky outfits, colourful skin and animated expressions.

It will be transporting the Brazilian National Football team from city to city during the 2014 FIFA World Cup Games.

quirky outfits, colorful skin and animated expressions wrap around the plane

0 PERSPECTIVE PAINTINGS BY FELICE VARINI

Felice Varini, a Swiss artist, is an artist who is known for his geometric perspective paintings, (often called anomorphic illusions), in rooms and other architectural spaces.  We found his works very fascinating as it gives the illusion of one type of perspective - the complete painting from the vantage point, (usually a simple geometric shape such as circle, square, line), and a whole other perspective from outside the vantage point, the viewer will see ‘broken’ fragmented shapes, and all this using the vast urban space around him such as buildings, walls and streets - as his canvas!

For example:

What is actually a circle or made to look like a circle from this vantage point....

Is actually perceived differently when looking at it from different angles or outside the vantage point...

Varini argues that the work exists as a whole - with its complete shape as well as the fragments. “My concern,” he says “is what happens outside the vantage point of view.